The Power of Children’s Story – Frederick Buechner


To step through the looking glass, to pass through the wardrobe into Narnia, to attend the birthday party of Bilbo Baggins is to reenter the world of childhood more fully than is possible any other way. It is not just a matter of being reminded how strange and new and promising everything was back then, but of experiencing it all over again.

Regardless of how many times you have read the books you loved as a child, the elements of surprise and suspense are always present, so that right up to the last minute you can believe that Scrooge will go on being miserly in spite of everything and that Dorothy may never find her way home.

To us, as to the child, the happy ending always comes as an unexpected gift from on high. It is the deepest truth that children’s books have to tell. Possibly it is the deepest truth there is. – Frederick Buechner

A Kind of Secret Force


Philip Yancey, in What’s so Amazing about Grace?

Jesus’ images portray the kingdom as a kind of secret force. Sheep among wolves, treasure hidden in a field, the tiniest seed in the garden, wheat growing among weeds, a pinch of yeast worked into bread dough, a sprinkling of sale on meat–all these hint at a movement that works within society, changing it from the inside out. You do not need a shovelful of salt to preserve a slab of ham; a dusting will suffice.

Jesus did not leave an organized host of followers, for he knew that a handful of salt would gradually work its way through the mightiest empire in the world. Against all odds, the great institutions of Rome–the law code, libraries, the Senate, Roman legions, roads, aqueducts, public monuments–gradually crumbled, but the little band to whom Jesus gave these images prevailed and continues on today.

Much to Learn from the Spirit of Jesus


Philip Yancey, in What’s So Amazing about Grace?

Today, each time an election rolls around Christians debate whether this or that candidate is “God’s man” for the White House. Projecting myself back into Jesus’ time, I had difficulty imagining him pondering whether Tiberius, Octavius, or Julius Caesar was “God’s man” for the empire.

… the man I follow, a Palestinian Jew from the first century, had also been involved in a culture war. He went up against a rigid religious establishment and a pagan empire. The two powers, often at odds, conspired together to eliminate him. His response? Not to fight, but to give his life for these his enemies, and to point to that gift as proof of his love.

Among the last words he spoke before death were these: “Father, forgive them, for they do not know what they are doing.”[We] have much to learn from the spirit of Jesus.

Source: Much to Learn from the Spirit of Jesus

In His Image


in the image of God

“And God said, Let us make mankind in our image, after our likeness … So God created man in his own image, in the image of God created he him; male and female created he them” (Genesis 1:26-27). 

***

“What is man, that thou art mindful of him? and the son of man, that thou visitest him?” (Psalm 8:4)

Not quite angels, King David described humanity in a prayer, saying that we have been created “a little lower than the angels.” In the same breath, however, he notes that mankind has been crowned “with glory and honor” (Ps. 8:5).

What is that glory? That honor? In some ways greater than we will ever know, it is that we have been created in the image of God.

I attended a writer’s conference on the theme of “Write His Answer.” An unexpected theme arose during the keynote, as one speaker after another told stories of broken self-image and their continuing journeys toward recreating their identity.

Their stories made me cry. As though they were reaching to something inside me or a part of me that I could not recognize or remember. It was a response I did not expect, and set me on a sort of journey of my own, towards understanding broken or fragile parts of my identity and self-image.

The message in the keynote speeches all led to a single core, the idea of having been created in the image of God. And not only that, but the idea that the losses and the breakings and the hurt all work together toward a single purpose: that of transforming us into the image of Christ.

Made in His image at the beginning . . . and slowly, continually, often painstakingly, being transformed into the image of Christ.

“What is man, that thou art mindful of him?” the Psalmist asks. Lower than angels. Yet honored with the indescribable gift of a unique identity. An identity hard to grasp and even harder to accept in the midst of the brokenness and cruelty of the world.

But it is our true self. Our deepest self. And understanding that, accepting it, letting that beauty become the reality shaping who we are and who we believe we can become.

Enormous Significance of Stories


Every storyteller … looks out at the world much as you and I look out at it and sees things happening—people being born, growing up, working, loving, getting old, and finally dying—only then, by the very process of taking certain of these events and turning them into a story … does he make a sort of claim about events in general, about the nature of life itself.

And the storyteller’s claim, I believe, is that life has meaning—that the things that happen to people happen not just by accident like leaves being blown off a tree by the wind but that there is order and purpose deep down behind them or inside them and that they are leading us not just anywhere but somewhere.

The power of stories is that they are telling us that life adds up somehow, that life itself is like a story.

And this grips us and fascinates us because of the feeling it gives us that if there is meaning in any life … then there is meaning also in our lives. And if this is true, it is of enormous significance in itself, and it makes us listen to the storyteller with great intensity because in this way all his stories are about us and because it is always possible that he may give us some clue as to what the meaning of our lives is. – Frederick Buechner

Tell me a story, and I will listen. Preach and teach, and I might turn away. Or I might smile and nod, but my thoughts and heart are far away.

But begin to relate a story, and something in me opens up to receive. Some say that all the world is a stage. Perhaps it is true in that a stage is the setting for a story.

All the world. A story.

A thousand stories. A million. A billion times a billion. But somehow one.

In the realm of literature, the word “archetype” speaks to the idea that certain stories, characters, or settings stand as representations of all stories, people, and settings. Certain places or characters stand for so much more than the simple part they play in the story. A tree is not only a tree; it is life or knowledge or the loss of innocence. A river is not only a river; it is cleansing or rebirth or maybe even death. White is innocence, purity.

And the hero of the story — no matter how flawed or how near to death he comes, or even if he does die — sends some sort of thrill through the heart of the reader. Maybe it’s that part in each of us that wants to be a hero. Or maybe it’s that deeper part in each of us that wants to be rescued. That knows we need a hero. A rescuer. In the words of some, a Savior.

So we read a story. A thousand stories. And we look — often subconsciously – for those archetypes. For answers. For meaning. For a hero.

And if we are looking, we find. Even in the most random story. Or the darkest. Or most intentionally meaningless. Somehow the storytellers do communicate meaning. Truth. About life. About ourselves. About a Story that encompasses wordlessly all other stories, even the most meaningless, and infuses them with wonder. So that no one and no story and no chapter or paragraph or even word that we live could be construed as without meaning and purpose. Not when an overarching Story is penned by an all-knowing Author. Not when His words are Life and His message is love, and His story is Grace and Truth.

Words Amputated from Story


Words amputated from stories lose accuracy, lose color and energy, congeal into god talk. They are flowers that fade and grow limp. For every theologian, we need five novelists to keep the language personally relational; for every biblical scholar we need another five novelists to keep the language participatory; for every church historian the church needs another five novelists to keep us aware that we are in the story.” – Eugene Peterson

Some people are more the scholarly type. They like to study. I admit, I’m one of them. I’ve always loved to study … mainly because of the reading involved, but also the joy of learning something new. Of challenging myself to understand and assimilate some concept or lesson. At any point in time I’ll usually be reading through some theological or scholarly book.

But at the end of the day, when I want to read for enjoyment, to read for me, I won’t be picking up the latest theological study. I will pick up a novel. A story.

A lot of people say we read to lose ourselves in the story. We don’t.

We read stories to find ourselves.

In the pages. In the narrative. In the overall story. The greatest stories, the ones that stick with us long after we turn the final page, are the ones that ring true. The ones where we see something of ourselves. Our fears. Our hopes. Our scars. Our joys. Those universal feelings that resonate within us viscerally. The things we know to be true without having to be taught it … because we have experienced it.

A favorite author of mine, N. D. Wilson, in a writing class spoke of this. The importance of writing truth into stories. No matter how far out a plot line might be, or whether the story takes place in some fantastic fantasy location, it needs to ring with truth. Good versus evil. The beauty of forgiveness. The power of sacrifice. The purity of light.

When a story or a book does not show forth these elements of truth … the story rings false. It falls short. The reader can’t help but feel something is wrong about that story.

Then there are the stories full of conflict and tragedy, sorrow and loss, even death … but there is hope. There is light. There is love. And these elements thread the story together, weaving a message stronger than the tragedy and loss.

Perhaps you are a novelist. Or a writer of nonfiction. Or simply a passionate reader. But we all have a story to tell. And we all have a story we are living out. Let your story – your stories – ring true. Whether you’re writing it or living it, thread your stories with hope. With the Weaver of all good things. With the Author of Light and Love. The Lord of Truth and Grace.

The Best Stories


Ted Dekker quote

There is one kind of literary device so heavily used in the Bible that many people unintentionally take it for granted. Figurative language. Metaphors and similes and other kind of analogies. Word pictures. …The Bible contains whole books filled with poetry. … God is infinitely intelligent, and since he is the one behind all this figurative language, we must assume that it was and is to this day one of the best ways, if not the best way, to communicate and understand truth.

But what is figurative language, except language that allows the reader to see a figure in his mind and imagine that the subject at hand is like that figure? …

God leans heavily on the human imagination when communicating with humanity. In fact, the use of mental images is God’s primary paradigm for illustrating truth, both through the writers of the Bible and through Christ’s use of parables. – Ted Dekker

A friend of mine, an avid reader like myself, commented that his favorite authors are those who write fiction in addition to nonfiction because they make the best use of analogy and metaphor. They paint a picture with words, bringing those words to life in the mind of the reader — whether writing fiction or nonfiction.

If you’ve been a writer for any length of time, you’ve likely heard the adamant claim that, as a writer, you must “Show, don’t tell.” If you’re in the earlier stages of your writing life, you might still wonder what exactly that means.

Showing instead of telling means painting a picture, using words to open the senses and letting your reader use imagination to fill in the spaces. It means using sensory and descriptive language to wake the reader’s senses. Sights. Smells. Sounds. Tastes. Touches. Textures. It means you’re not using thick, dense wording to explain some vague concept. Instead, you’re telling a story.

If you’re a parent, one of your favorite activities with your children is likely reading them a story, often a story that you loved as a children and are loving anew with your own child. If you look back at that childhood, one of your favorite memories might be listening to your mother or father read or tell you a story, the more realistic and exciting the better. We love stories. It’s in our DNA … or in our soul.

I love fiction, and I’m fascinated and awed by authors who have the ability to portray a story with realistic characters, show the events with sensory language, and weave in truths of life and love, sorrow and hope, loss and redemption, sacrifice and grace. The best stories invoke a glimpse into those pieces of our heart and soul that are so real we recognize them even in the most imaginative tales. They ring with truth. We can see traces of ourselves and of a greater story unfolding all around us. Most of all, the best tales reveal traces of the Author. Of the Greatest Story ever told.